Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Sex-themed quiz show.

Following a failed engagement, Lou discovers she has a talent for writing other people’s wedding vows. Word spreads across Chicago’s wedding scene and Lou’s services are in high demand. She even has a new admirer in Dash. But everything changes when she’s asked to write vows for Olivia, who’s marrying Warren, Lou’s old college flame.

Body Language is an American game show produced by Mark Goodson Productions. The show aired on CBS from June 4, 1984 until January 3, 1986, and was hosted by Tom Kennedy. Johnny Olson announced until his death in October 1985; Gene Wood and Bob Hilton shared the announcing duties afterward, and had substituted on occasion before that.The show pitted two teams against each other, each consisting of a contestant and a celebrity guest. The gameplay centered around the party game charades, in the same vein as the earlier Goodson program Showoffs, but contestants also had to solve word puzzles to win money, making Body Language a cross between Showoffs and Password Plus.

A woman who excels at reading body language realizes that something is deeply wrong during a quiet night at home, turning a peaceful night into a terrifying fight for her own survival.

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A broken camera and three rolls of film, two daylight and one tungsten, capture days with Eva. The version of the woman on celluloid is more foreign to her than to me, and the version of herself speaking these languages is more foreign to me than to her, but both are not fully in our grasp and slip away and decay. They do not belong to either of us but to time—much like how languages are imperfect and adapt to the needs of those who speak them. 　　Time causes disintegration, wherein different variations and versions emerge. Because of physical separation, my grandmother slowly forgets her native tongue and the languages she spoke as a child, mirroring the movement and transformation of living languages. The act of remembering brings back these decomposing versions of past selves, selves that never were or briefly were, then hidden away but not discarded. The film intentionally chooses to leave all sequences unsubtitled.

Physics, geology, and democracy collide across the expansive American interior, in a series of vignettes from six candidate sites for a sacrificial nuclear dumping ground.

How many times has this happened to you?